The countryside of China is a vast and full of vitality. Although it is not as orderly and prosperous as urban planning, the unique natural scenery of the countryside, the unique cultural styles of the village, the unique village residential buildings, rural customs, and other unique cultural styles, despite the continuous erosion of years, still stand on the vast land of the motherland. “Homesickness” has become the “memory” that people are looking for now. How to intervene in rural cultural construction in a form of popular expressions, reawaken people’s love and attention to the countryside, the countryside, and reinvigorate the increasingly empty countryside. Komiks 1960 witch cloth draw, revitalize rural development, and realize the activation and value-added rural idle resources, so that the majority of villagers have a real sense of gain in economic benefits and cultural life, thereby empowering rural cultural construction. This is the problem we are thinking about Cinema 1950 witch cloth draw.
Recently, we went into the countryside, carried out the artistic practice of rural cultural revitalization, planned the “Writing the Earth. Poetry Cinema 1950 witch cloth drawThe artistic revitalization, and planned the work report exhibition, and explored the creation and display path of rural cultural revitalization – “art rural construction”.
In this “art rural construction” practice, we pay special attention to the “roots” of rural culture and the local artistic creation style, and hope to awaken villagers’ confidence in their local culture through expressing traditional rural culture. This is a challenge. For us studio students who use traditional calligraphy, painting and printing art, I think this is not only a challenge, but also a kind of nirvana. It is to cultivate our ability to understand, perceive and understand the countryside. Facing the place where our ancestors lived for generations, how do we use the artistic talents we have mastered to create and realize our vision, and turn this fertile land into a beautiful spiritual home, suitable for business.Residence. In order to avoid simple graffiti in local art creations that have been done in the past, our activities adhere to the concept of symbiosis between people and themselves, adapt to local conditions, and try our best to dig up the greatest advantages of local natural resources, so that art can adapt to the environment, let the environment create an artistic atmosphere, light up art, and strive to integrate art and the environment. At the same time, the nourishment of art is silent, and put all our artistic conceptions and energy storage into this practice to the greatest extent.
Our works are all interpreted by traditional calligraphy, painting and printing art.
The performance art of “Bamboo Seeds in the 5G eraBabaylan 1990 clothes draw” was created by the author’s association with the “Seven Sages of Bamboo Forest” from a local bamboo forest. At that time, I thought, who is the “Seven Sages of Bamboo Forest” now? Can contemporary times find the representative “Seven Sages”? Even if it is found, what problem does Cinema 1950 witch cloth draw mean? Is it necessary? What inspiration does the “Seven Sages of Bamboo Forest” have for the present? “Some things are just so coincidental. At that time, I happened to read an article by Mr. Wu Hongliang on Chinese painting, titled “Babaylan 1990 clothes” drawBamboo Seeds in the 5G Age”, the title is derived from a sentence in a poem called “Dreams of the Flying Words” in Xichuan. Although the three of us talk about “bamboo forest” and “Seven Sages”, the profiles are different and the meanings to express differently. Therefore, our work “Bamboo Seeds in the 5G Age” has emerged: For the 5G Age, everyone is the “Seven Sages”, but they are different. Everyone has a side of each person. Although things are connected, connected and connected, how should everyone’s heart be connected?
“Bamboo Seeds in the 5G Era”
“Food is the most important thing for people” series, which uses the spiritual power given by daily rural life scenes and objects as a cultural background, and uses local idle resources as the basic media to enter Cinema 1950 witch clothes Draw creates creation. As urbanized, we are almost unfamiliar with the stoves that use wood to make fire, rice trucks, water trucks, and stone mills in the daily life of rural areas. However, decades ago, these objects were necessary tools for our daily lives. Land gods, door gods, etc., which are customary rural customs and habits, are almost dying in modern urban life…………. Rural life established a “familiar stranger” for modern people!
After inspiring the teacher and checking the historical background of those daily necessities, local customs and folk customs, our works have not yet been released, and our hearts have been baptized first.
《Song of the Rice Cart》
《Gate God》
The Good Days, one of the series “Tiger and Tigers”
Good Days”, is an installation that uses villagers’ houses as space and uses the Kitchen God culture as the source. It hopes to arouse people’s association with farming civilization for thousands of years, alert people to the issue of food, clothing, housing and transportation, and then perceive the hard-wonderful days today, and trigger praise for a happy life.
“Good Days”
“ShuilongyinCinema 1950 witch cloth draw” is a set of ancient and modern regulated poems that chant water wheels in the expression of traditional calligraphy and old water wheels, so as to be considerable, readable, appreciated, and imaginative. Especially the calligraphy works written in Dong Qichang’s style on the wall complement the water wheels on the ground, and the agricultural Cinema 1950 witch cloth drawThe leisurely and leisurely life of people in the farming era seems to be right in front of us.
“Shuilong Yin”
“Certification of the World” is another series of ours. The display of traditional seal carving art is usually done by using a seal screen or printing itBabaylan 1990 clothes DrawFlower enlargement and physical objects are presented in the exhibition hall together. The display outside the “tea hall” is indeed a testament. After examining the field environment, we follow the trend and flexibly combine it, allowing the large square array of multi-person works and the small square array of personal works to give full play to the advantages of different visual display, echoing the size and seeing each other’s heights, presenting it in a Babaylan 1990 cloth draw” “verify the present” method. I hope that people’s back and forth between different groups can produce another touch.
“Certification of the World”
Komiks 1960 witch cloth draw“Red Brick Introduction”, whether the extension of traditional calligraphy can be connected with contemporary art is one of the topics that the author has been striving to explore.
“Red Brick Introduction”
“Green Mountains and Green Waters” series presents our understanding and demands for green mountains and green waters.
“The Day of the Day of the Mountains and Waters”
“Maybe it is a bunch of “bad words””, which attempts to unify Internet buzzwords with dialectical unity of humor and ridicule, deep thought and joke, funny and “sovereignty”. From the must-have words for online communication to becoming the current catchphrase, “alternative” enriches the lives of people in contemporary society. This is the contradiction between tradition and innovation, restraint and ostentatiousness. Because of this trendy Internet language, there are rules and regulations on using words and travel. drawDramatic language, grammatical errors, vulgarity and other issues determine the long-term nature of its life cycle, and it is even a flash in the pan. However, it is a replica of every day in the current society, and a reflection of certain phenomena. Some words are even rebellious, innovative, and hype.
Cinema 1950 witch clothes draw “Maybe it a bunch of “bad words””
“Open the Folded Book”, a dictionary, “Modern Chinese Dacihai”, is compiled externally, and includes Internet buzzwords in “non-canon” way. The title has two meanings: one is the meaning of “folding”. It is popular now or once popular, and with the passage and change of time and space, it is constantly obscured or appears and overlaps, or overlaps; the other is “open”. All the “popular” memories in the external compilation of “Modern Chinese Dacihai”, each word is a big event, a small story, or an unforgettable memory. Through Komiks 1960 witch clothes drawThe work “Open the Folded Book” hopes to repair memories, forget them, and even mourn or pay tribute.memory.
“Open the Folded Book”
We hope to turn the fullness of the countryside and the earth into the light of our ideals through the daily things in the countryside, and transform wisdom into works to infect and inspire people. We express our feelings to traditional Chinese calligraphy and painting. Through the display of calligraphy, painting and printing art, we carry ancient oriental culture with a new medium. It is also a unique presentation, either behavior, concept, installation, or just an exploration.
Through this practice, we believe that if the traditional calligraphy and painting form is reset to a living space without villagers, is it a bit of a doubt that “whether the skin is left without hair will be attached?”, which may appear inconsistent and affect the appreciation of the artistic nature of the works. How to expand the development site is a very worthy topic in the construction of art rural areas. Through this practice, we also believe that Komiks 1960 witch cloth draw is also feasible to expand the exhibition area outdoors in addition to interior layout.
There is “Topology” in geometry, which talks about the spatial transformation in the space. For the space display space of our work, as the position of the work changes, a new display space has emerged, which I call the “land topology”. In Yijian Village, using a form of displaying works that touches the rural atmosphere is a good way to get close to the masses.
On-local creation, fully “revitalizing” idle spaces and old objects, can be opened as part of rural museums and become a medium for displaying local farming culture, traditional folk customs, and village appearance. Some of the artworks in the “Expanding Land Topology” series can be displayed for a long time, while others can only be short-term due to environmental relations, and they all have their own characteristics. Even in a moment, the auspicious light will also promote people’s love and yearning for a better life. If they can be integrated with culture and tourism, it will surely bring popularity and business opportunities.
“Let the city leave memories and let people remember the hometown Komiks 1960 witch cloth draw worry.” Through art building, we move writing to the wilderness, moving to the countryside Komiks 1960 witch cloth draw, moving to the fields is to awaken people’s memories and contribute to rural revitalization together.
Source | Jinyang.com Editor | Wang Qitong