The plan for the year lies in spring. The paintings of landscapes, scenery, folk customs, daily life and other themes related to spring and the Spring Festival in the past dynasties are not only popular, but also the “Warm Wind and Floating – Painting Exhibition on Spring Themes of Ming and Qing Dynasties” were exhibited at the China Painting Pavilion on the first floor of the Guangzhou Museum of Art from December 30, 2020 to March 30, 2021. The exhibition specially selected a large number of works related to the ancients’ themes of welcoming the spring blessings, yelling the spring elegant meetings, and enjoying the spring happiness from the paintings of the Ming and Qing Dynasties collected by the Guangzhou Museum of Art and the Guangdong Provincial Museum.
This exhibition displays more than 50 treasures of Ming and Qing paintings, more than half of which are first- and second-level cultural relics.
Tao Yuanming’s poetic design (partial) (Qing Dynasty) Huang Bi
Business is abundant: the spring written by ancient painters
Hundreds of flowers bloom, spring plowing and grazing, and the spring gathering of literati and scholars… The works exhibited this time strive to show the ancient times from customs, scenery, and other aspects. href=”https://comicmov.com/”>Cinema 1950 witch cloth drawThe spring of business in the works written by the generation painters. The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties.
The second part of the exhibition is “Yangchun Elegant Meeting”, which displays works by ancient literati on the theme of spring outings and cultivation.
Since ancient times, it has been popular to go out for outings in early spring, and to hold sauna activities on the Shangsi Festival in late spring. Cinema 1950 witch clothes draw activity injects elegant mood into this festival. The “Lanting Preface” by Wang Xi of the Eastern Jin Dynasty made “Lanting Preface” unique to the spring scenery in Chinese paintings.
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This part mainly uses spring flowers and landscapes as exhibits, presenting the spring scenery depicted by ancient painters.
The Northern Song Dynasty painter Guo Xi believed that due to the different wind and rain and the morning and evening seasons, the mountains and forests written by the painter should also have different atmospheres. The spring breeze is warm and the spring light is swaying, making people feel comfortable both physically and mentally. Looking at things with emotion, the characters that appear in this picture should also be happy and comfortable. They either go outings, go fishing, cross the water, go back to herds, or plowing, forming a unique picture of spring.
Year-Church Draft (Qing Dynasty) Yonghuang
Year-Church Draft Offerings: Send a Cinema 1950 witch cloth draw to offer a vision of a better life
The ancient Spring Festival included Nuo Festival, Komiks 1960 witch cloth drawSweeping dust, banquets, worshiping ancestors, changing peach talismans, and pasting door gods. Therefore, the “Sun Dynasty Picture” in traditional Chinese paintings is always inseparable from content such as bidding farewell to the old and welcoming the new, exorcising evil spirits and eliminating disasters, worshiping gods and ancestors, praying for the years and blessings.
“Sui Dynasty” is the first day of the Lunar New Year. As a work in response to this season, painters often draw fruits, fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other objects. These ornaments often placed on the desk are called “clear offerings” to pray for blessings and welcome good fortune.
Ju Lian’s “Sui Chao Qing Dynasty” uses fruits and flowers that symbolize harmony and auspiciousness to add a festive atmosphereBabaylan 1990clothes draw, and pray for blessings in the name of “clear offerings”, expressing wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, showing a peaceful New Year atmosphere. For example, “Sui Chao Tu” by Yongying, the sixth son of Qianlong, is a more special piece in the exhibition’s “Sui Chao” theme, depicting the scenery and scenery of the Northern Sui Chao period. Although the picture looks relatively cool, Komiks 1960 witch cloth draw, Komiks 1960 witch cloth draw, but it hides the peaceful meaning of “Auspicious snow indicates a good harvest”.
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Ju Lian
Traveling around in the mountains and rivers: the “Peach Blossom Spring” is one of the representative works of the famous writer Tao Yuanming of the Eastern Jin Dynasty, and it is also a creative theme that painters of all dynasties enjoy. Several works in this exhibition are based on the story of “Peach Blossom Land”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, sketches that produce wonderful clips from the story, and landscape paintings that break out of the text and extend the artistic conception of “Taoyuan”.
Among them, Huang Bi’s “Poetic Picture of Tao Yuanming” is a relatively complete reproduction of the work of “The Book of Peach Blossoms”. This work shows different scenes in the poem in paragraphs through the form of a long scroll. The layout of the entire work is regular and rigorous. Each relationship is separated by a large rock in the close-up, and the different parts of the story are cleverly divided. The brushwork is neat and delicate, and the colors are elegant.
Although Huang Bi painted “Peach Blossom Land”, peach blossoms did not account for a large proportion like other paintings of the same title, and only appeared as embellishments. The painter expresses his ideal pastoral life with the rendering of the world’s fireworks.Imagination makes this work without the unattainable fairy spirit, making people feel more intimate.
In addition, this exhibition also displays spring landscape paintings created by important painters in Jiangsu, Zhejiang, Guangdong and other places in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc.
Su Liupeng was an important painter in Guangdong in the Qing Dynasty. His painting style is diverse, fine and extensive, and he is good at painting various subjects such as characters, landscapes, flowers and birds. The “Spring Tour of the Green Deep Mountains” exhibited in this exhibition depicts the scene of Komiks 1960 witch cloth draw in the Taohua Creek area of Luofu Mountain.
The author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring water is green among the flowers. I don’t seek the source because of the fishing boat, and I try to know the immortals (home) to escape from the world. The green rain flows through the clouds and the jade cave, and the sun protects the jade platform. The old couple in the mountains made an appointment and asked me to come back to the spring with wine.” This shows that the painter’s work borrows the allusion from the “Peach Blossom Spring” to describe the scene of the Peach Blossom River in Luofu Mountain in spring.
[Reporter’s Notes]
The museum has a good collection and better exhibition
After an extremely extraordinary year, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to be relocated, held the Ming and Qing dynasties Spring Painting Exhibition as its first exhibition at the beginning of the year with the theme of “Spring”. It is of great significance.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes the fine paintings of the Ming and Qing dynasties collected by itself and its brother institutions.
The current exhibition format is increasingly focusing on experience, and for this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
In the era of multimedia, content is still king. Whether in the professional field or in the eyes of the public, the core elements of the exhibition are still the exhibition and the curator’s interpretation and knowledge production of exhibits.
The predecessor of Guangzhou Art Museum was founded in 1957.”>Komiks 1960 witch cloth drawChinaBabaylan 1990 cloth drawOne of the earliest art museums in China——Guangzhou Art Museum. The site of the Guangzhou Art Museum was originally located in the Zhongyuan Building, a famous building on Yuexiu Mountain, and later moved to Guangzhou at the foot of Baiyun Mountain and on the banks of Luhu Lake in the north of the city at that time. Draw. Its main collection is donated by a group of important predecessors from the Lingnan cultural circle. It is also these batches of donations and collections that have made the treasures and treasures of the Guangzhou Art Museum a gathering of treasures and treasures, becoming an indispensable corner of Guangzhou’s urban cultural map.
In recent years, large institutions such as Guangdong Public Museum and Art Museum have achieved many remarkable results in excavation and research on collections, and are at the forefront of the country and are eye-catching. We need to have a good collection, and we must also have a good exhibition to serve the public. Collection research and display is one of the biggest differences between public institutions’ collections and private collections. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: Let more people see museum collections is the greatest patriotism.