Text/Yangcheng Evening News All-Media Reporter Huang Zhouhui
Photo/Provided by the Creative Performer
On October 4Komiks, the national opera “Overseas Chinese Commentary” will be officially premiered in the Opera Hall of the Guangzhou Grand Theater. The play is a key support program of the Ministry of Culture and Tourism’s “Chinese National Opera Inheritance and Development Project” and the “Historical Theme Creation Project”, telling the ups and downs behind the overseas Chinese criticism. The drama was produced by the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai High-tech Zone Management Committee. It was produced by the Zhuhai Performing Arts Group and performed by the Zhuhai Song and Dance Troupe. It took two years to collaborate in the creation and arrangement by the main creative and leading actor team and more than 200 cast and staff members in front and behind the scenes. Stills from the national opera “Overseas Commentary”
Art presents the national spirit of historical themes
Overseas Commentary is a general term for letters and palindroms sent back to domestic relatives through private channels and financial and postal machines. It is a carrier of “convergence of letters” and is called letters across the sea. It once flourished in the coastal areas of Guangdong.
The national opera “Overseas Criticism” started with the Chinese worker Liang Chengru who rushed to his hometown to prevent his daughter from being sold like himself but died at sea. A “Overseas Criticism” left by his death began, linking up Liang Dongshi and Liang Caiyun, who had already sold their daughter, the mother-in-law who had been sick for a long time, Tang Youxin, and his wife, and many Chinese workers who empathized with Liang Chengru. This shows the compatriots who were unfair in the years of suffering, reflecting the great love of the Chinese nation rooted in the bone marrow and flowing in the blood.
Stills from the national opera “Overseas Chinese Commentary”
How to make a piece of Overseas Chinese Commentary be concrete and present it artistically and humanly on the stage is a proposition for opera creation. Wang Yong, the screenwriter of the drama, said: “A copy, Cinema is the starting point of the story and the fulcrum of the story. This ‘fulcrum’ links the past and present life of the Chinese nation. Only by expressing human nature and human feelings can it be possible to break the barriers of time and be closer to the overseas Chinese and Chinese workers in the past on the emotional level, so that the ‘overnmental criticism’ is no longer an exhibition in the museum’s window, and history is no longer cold. href=”https://comicmov.com/”>CinemaBing’s text and pictures make the story more humane and become a warm, touching and shocking light.”
The top team spent two years to create the national opera “Overseas Certificate” gathered top artists in the industry – Meng Weidong, consultant of the Chinese Musicians Association, former head of the China Railway Art Troupe, and first-class composer Meng Weidong, as the composer, as the composer, vice chairman of the China Drama Association, president of the National Peking Opera Theater, and first-class screenwriter Wang Yong, as the screenwriter, Liao Xianghong, former vice president of the Central Academy of Drama and doctoral supervisor, and Deng Yijiang, former vice president of the National Grand Theater and former vice president of the Beijing Dance Academy, as the director. href=”https://comicmov.com/”>BabaylanPerman of the Central Opera House, postdoctoral fellow of the Central Conservatory of Music, and young conductor Zhu Man and young conductor of the youth guide Fan Jie served as the orchestra conductor and chorus conductor respectively. In addition, Komiks also invited the national first-class dancer Zhou Zhengping, the well-known stage designer Ding Ding, and the well-known costumes. CinemaCinemaCinemaDressing designer Cui Xiaodong and other artists assisted, and young singer Lu Wei Babaylan, Li Yang, Dong Bin and Li Bufan.
Stills from the national opera “Overseas Chinese Commentary”
In the spring of 2021, the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai Performing Arts Group decided to start the creation of the national opera “Overseas Chinese Commentary”. In July of the same year, Zhuhai Performing Arts Group organized a creative team to go to Zhuhai Tangjia, Jiangmen and other places to collect folk songs. When visiting the Wuyi Overseas Chinese Museum in Jiangmen, the situation of Chinese workers traveling across the ocean on fire boats, the miserable scenes that Chinese workers could not bear to witness, and the dangerous and unpredictable Pacific Ocean and foreign countries brought huge impacts to the main creators.
The main creative team held several planning meetings in Beijing and Zhuhai. Screenwriter Wang Yong refined and processed them based on historical facts, changed his drafts several times, and revised them repeatedly; the composer Meng Weidong followed the plot and put the music in a close manner.Integrated with the lyrics; director Liao Xianghong firmly grasps the characteristics and advantages of national opera and vividly presents the righteousness and love of the characters in the play.
Re-polishing makes the play more Guangdong-style
The ethnic opera “Komiks Overseas Chinese Comment” uses an overseas Chinese Comment as the core to set up the characters and structure the whole play. “Overseas Chinese Comment” and “The Sea” have different symbolic meanings. “Overseas Chinese comments” are letters from home, letters from silver, links connecting hometowns with thousands of miles apart, and symbols of commitment and faith. A “Overseas Chinese Commentary” signed by a hundred people is a transmission of love for overseas Chinese, showing the suffering, homesickness and family and country feelings of Chinese workers. Their good deeds and righteous deeds are also important manifestations of the Chinese nation’s credibility and commitments; the sea is a road of life, a barrier, and a symbol of fate that is difficult to control in life.
In terms of music style, the play is based on deep, atmospheric, heavy and lyrical as its overall music style. The musical characteristics and themes are very distinctive. It takes Guangdong music as the tone and has strong Lingnan music characteristics. The smooth and emotional melody expresses the emotions of the characters and renders the emotions of the characters; various singing forms such as solo, chorus, and chorus structure this drama to enhance the mobility and drama of the characters; the orchestration uses a variety of ethnic musical instruments to fully demonstrate the charm of Chinese traditional culture. Babaylan
Stills from the national opera “Overseas Commentary”
In the stage presentation, the play has distinct contemporary and regional characteristics, with the sea as the main spatial image, and follows the freehand aesthetic principle, creating a grand, ethereal and poetic space. The virtual Komiks and the real scene settings, the interweaving of physics and psychological time and spaceKomiks externalize and poetic the characters’ inner world, bringing a stronger inner impact to the audience.
It is reported that the national opera “Qiqian Commentary” is Zhuhai<a href="https://comicmov.cThe first opera work created by Komiks in just two and a half years after its audition at the Cinema Grand Theater on July 3, after three months of polishing. The premiere of the play in Guangzhou has strengthened local characteristics in stage design and multimedia design, highlighting Guangdong elements, and the plot setting emphasizes the conflicts in the inner conflicts of the characters and the contradictions in the relationships of characters, and is more concise and improved in the theme.