The plan for the year lies in spring. There are countless paintings on the themes of scenery and scenery related to spring and the Spring Festival in the past dynasties, folk customs, daily life, etc. The “Good Wind and Floating – Painting Exhibition on Spring Themes of Ming and Qing Dynasties” was exhibited at the China Painting Pavilion on the first floor of the Guangzhou Museum of Art from December 30, 2020 to March 30, 2021. The exhibition specially selected a large number of works related to spring, including the ancients’ themes of welcoming spring blessings, yelling spring elegant meetings, and enjoying spring happiness from the Ming and Qing Dynasties paintings collected by Guangzhou Art Museum and Guangdong Provincial Museum.
This exhibition displays more than 50 treasures of Ming and Qing paintings, more than half of which are first- and second-level cultural relics.
Tao Yuanming’s poetic concept (partial) (Qing Dynasty) Huang Bi
Business is abundant: Spring written by ancient painters
Hundreds of flowers are in full bloom, spring plowing and grazing, and literati and scholars are out for spring… The works exhibited this time strive to show the spring written by ancient painters in terms of customs, scenery, and other aspects.
The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties. The second part of the exhibition is “Yang Chun Elegant Meeting”, which displays works of ancient literati traveling for spring and cultivating the themes of Cinema.
Since ancient times, Komiks has been popular for outings in early spring. BabaylanCinema, and a sautum event was held on the Shangsi Festival in late spring. The “Lanting Xiuhua” and other elegant gatherings from the folk sacrificial activities have injected elegant atmosphere into this festival. The “Preface to Lanting” written by Wang Xizhi of the Eastern Jin Dynasty made “Lanting Xiu” unique themes expressing the spring scenery in Chinese paintings.
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This part mainly uses spring flowers and landscapes as exhibits, presents the spring scenery depicted by ancient painters.
The Northern Song Dynasty painter Guo Xi believed that due to the different wind and rain and the morning and evening seasons, the mountains and forests written by the painter should also have different atmospheres. The spring breeze is warm and the spring light is swaying, making people feel comfortable both physically and mentally. To view things with emotion, the characters that appear in this kind of scene should also be happy and comfortable. They either go outings, go fishing, cross the water, go back to herds, or plough and hoe, forming a unique picture of spring.
The Yearly Dynasty Picture (Qing Dynasty) Yonghuang
The Yearly Dynasty’s offerings: entrusting the vision of a better life
The ancient Spring Festival included Nuo sacrifices, dust sweeping, banquets, ancestor worship, peach talismans, and door gods. Therefore, the “Sui Dynasty Picture” in traditional Chinese paintings always cannot be separated from content such as farewell to the old and welcome the new, exorcising evil and eliminating disasters, worshiping gods and ancestors, praying for the years and blessings. Komiks
“Sui Dynasty” is the first day of the Lunar New Year. As a work in this season, painters often use fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other objects to paint. These ornaments often placed on the desk are called “clear offerings” to pray for blessings and welcome the good fortune.
Ju Lian’s “Qing Gongshu Pictures” uses the meaning of harmony and auspicious fruits and flowers to add to the festive atmosphere, and at the same time praying for blessings in the name of “Qing Gongshu” to express his wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, showing a peaceful New Year atmosphere. For example, “Sui Chao Tu” by Yongying, the sixth son of Qianlong, is a more special piece in the exhibition’s “Sui Chao” theme, depicting the scenery and scenery of the Northern Sui Chao period. Although the picture looks cooler, it implies the peaceful meaning of “Auspicious snow indicates a good harvest”.
Photo provided by the Qing Dynasty in Sui Chaoqing (Qing Dynasty) Julian
YouPlaying in the mountains and rivers: The “Peach Blossom Land” full of fireworks
“The Peach Blossom Land” is one of the representative works of Tao Yuanming, a famous writer of the Eastern Jin Dynasty. It is also a creative theme that painters of all dynasties enjoy. Several works in this exhibition are based on the story of “Peach Blossom Land”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, as well as sketches that create wonderful clips from the story. There are also mountain water paintings that jump out of the text and extend the artistic conception of “Taoyuan”.
Among them, Huang Bi’s “Poetic Picture of Tao Yuanming” is a relatively complete reproduction of the work of “The Book of Peach Blossoms”. This work shows different scenes in the poem in paragraphs through the form of a long scroll. The layout of the whole work is neat and rigorous. Each plot is separated by a large rock in the close-up, and different parts of the story are cleverly divided. The brushwork is neat and delicate, and the colors are elegant.
Although Huang Bi painted “Peach Blossom Land”, peach blossoms did not account for a large proportion like other paintings of the same title, and only appeared as embellishments. The painter expresses his imagination of ideal pastoral life with the rendering of the world’s fireworks, making this work without the unattainable fairy spirit and making people feel more intimate.
In addition, this exhibition also displays spring landscape paintings created by important painters in Jiangsu, Zhejiang, Guangdong and other places in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc.
Su Liupeng was an important painter in Guangdong in the Qing Dynasty. His painting styles are of various styles, with fine and extensive skills, and are good at painting characters, landscapes, flowers and birds, etc. The “Spring Tour from the Green Deep Mountains” exhibited in this exhibition depicts the scene in the Taohua Creek area of Luofu Mountain.
The author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring water is green among the flowers. I don’t look for the source because of the fishing boat, and I’m trying to find the immortal (home) to avoid the world. The green rain flows through the clouds and the jade cave, and the sun is protected by the sun. The old couple in the mountains made an appointment, and asked me to come back to the spring with wine.” This shows that the painter’s work borrows the allusion from the “Peach Blossom Spring” to describe the scene in the Taohua Creek area of Luofu Mountain in spring.
[Reporter’s Notes]
The museum has a good collection and better exhibition
After an extremely extraordinary year, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to be relocated, is Babaylan “Spring” is the theme, and it is of great significance to hold the Ming and Qing Spring Painting Exhibition as the first exhibition of the year.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and discovering stories, and fully mobilizes the fine paintings of the Ming and Qing dynasties collected by itself and its brother institutions.
The current exhibition format is more and more focused on experience. For this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall. href=”https://comicmov.com/”>Cinema to enhance the audience’s exhibition experience. In the era of diverse media, content is still king. Whether in the professional field or in the eyes of the exhibition public, the core elements of the exhibition are still the exhibition and the curator’s interpretation and knowledge production of exhibits.
The predecessor of the Guangzhou Museum of Art is one of the earliest art museums in New China in 1957–the Guangzhou Art Museum. Guangzhou Art Museum Museum The site of the Cinema website is located in Zhongyuan Building, a famous building on Yuexiu Mountain. It was later moved to the current site of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the northern part of the city. Its main collection is the donation of a group of important predecessors from the Lingnan cultural circle. It is also these batches of donations and collections that have made the treasures and treasures of the Guangzhou Art Museum a gathering of treasures and treasures of Guangzhou City a indispensable corner of the Guangzhou city cultural map.
In recent years, large institutions such as Guangdong Public Museum and Art Museum have achieved many remarkable results in the excavation and research of collections, and are at the forefront of the country and are eye-catching. We need to have a good collection and a good exhibition to serve the public. Collection researchKomiks and displayBabaylan is one of the biggest differences between Cinema collections and private collections. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: letting more people see museum collections is the greatest patriotism. Cinema